Jacob Varmus - Terminal Stillness album download

Jacob Varmus Jacob Varmus is an active freelance trumpeter, composer and songwriter for film and stage in the New York City area. He has three commercially released albums to date of his original music, All the Things We Still Can Be, Terminal Stillness and Aegean. Varmus was trumpeter for St. Joseph's Catholic Church (2005-2013). Drift-Steer at Williamsburg Music Center, released 07 September 2017 1. Drift-Steer: Live at WMC Variation Within Species Drift 4 Bars of Heaven Gillyweed Street Beat Demure Helpline Live from Williamsburg Music Center, March 5th, 2017.

Jacob Varmus: Terminal Stillness by Dan Bilawsky, published on May 3, 2013. Terminal Stillness is a nine-song suite built around the concept of "slow motivic development. Much of the music presented herein generally evolves and grows in circular fashion, expanding its circumference and reach like ripples from a small pebble tossed into a lake. The journey is fascinating, but an end point is of little interest to Varmus; he'd rather enjoy the trip than simply get from point A to point B. To some extent, Varmus runs the risk of misrepresenting the very title he chose for his album, but that turns out to be a good thing.

Album · 2013 · 9 Songs. More By Jacob Varmus. See All. All the Things We Still Can Be.

Terminal Stillness, 2013.

You stand alone in the open empty terminal, no sense of day or night, only silence and anticipation- of arrivals & departures, connections & missed connections- as the lingering music of this sanctuary slowly reveals itself to you. Genre: Jazz: Chamber Jazz. We'll ship when it's back in stock.

Jacob Varmus songs download, free online mp3 listen. album: All the Things We Still Can Be. Ecstatic Little Porpoises. Untimely Intrusion. Slide Rules. album: Terminal Stillness. Stillness. Why Don't You Dance? album: All the Things We Still Can Be. Avenue C.

Terminal Stillness, complete with wordplay and an album covered in pictures in which the subject is careful to not look at the camera at all, is actually not. It IS a bit forgettable at times, though. It’s very smooth, quiet jazz that is very relaxing and clearly played by talented musicians. There’s a hint of originality hither and thither, with some accordion-sounding stuff featured on Slide Rules and Myanmar Shadow, as well as a couple of snazzy xylophone doohickey parts