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» » Sergio Azzolini - C.P.E. Bach: Bassoon Music
Sergio Azzolini - C.P.E. Bach: Bassoon Music album download

Sergio Azzolini - C.P.E. Bach: Bassoon Music album download

Sergio Azzolini
C.P.E. Bach: Bassoon Music
Chamber Music,Concerto
MP3 archive size:
1800 mb
FLAC archive size:
1622 mb
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Concerto for Bassoon in A Minor, Wq. 16: I. Allegro assai 02. Concerto for Bassoon in A Minor, Wq. 16: II. Andante 03. 16: III.

Sergio Azzolini offers us a magnificent new recording, with Mozart's only bassoon concerto (considered one of his best all-instrument concertos) and a world premiere, the reconstructed serenade of Michael Haydn in a new reference recording. Fagottist und Alte Musik Spezialist Sergio Azzolini hat mit Maurice Bourgue sowie Kimiko Imani ein spannendes Programm eingespielt. Das Repertoire ist dabei eine echte Besonderheit, da Trios mit Begleitung von Oboe und Fagott statt der üblichen Streichinstrumente eine Rarität im kammermusikalischen Repertoire des 18.

Album · 2006 · 11 Songs. Bach: Concerti per fagotto Sergio Azzolini. Listen on Apple Music. Flute Concerto in A Minor, Wq 166. Sergio Azzolini. Bassoon Concerto in B-Flat, Wq. 171.

Personnel: Sergio Azzolini, Bassoon Maurice Bourgue, Oboe Kimiko Imani, Piano. Related Posts: Les Vents Francais – Beethoven: Chamber Music.

Bach: Trios for Oboe, Bassoon & Piano (2018). Artists: Sergio Azzolini, Вильгельм Фридеман Бах. Genre: Classical. Money online! Converting/Cutting. We have song's lyrics, which you can find out below. Org S, В Sergio Azzolini, Вильгельм Фридеман Бах. Recommended.

Bassoon – Sergio Azzolini. Composed By – Carl Philipp Emanuel Bach. Concertmaster – Georg Egger. Engineer – Florian B. Schmidt. Orchestra – Streicherakademie Bozen. Producer – Florian B. This CD is CD 49 of 50 Great Recordings and not an individual release.

CPE's orchestra would have needed a virtuoso bassoonist of the highest technical capability to do what Sergio Azzolini does with these pieces. Azzolini is that virtuoso. His tone is richly vocal even in his highest passages. Much has been written about CPE Bach as an advocate of "Empfindsamkeit" – sentimentality – in music. The notes to this performance stress his emotive harmonic effects as his most unique contribution to the development of the classical style. Frankly, I find that "Sturm und Drang" association a bit overstated. Listening to the whole texture of CPE's concertos and not just the flamboyant passagework, what I hear is a kind of solid intellectualism, a sense of musical structure as deep as that of his father's or his godfather's